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  • Recording, musical


  • Authors: Jon Burlingame (2012)

  • The story of the music that accompanies the adventures of Ian Fleming's intrepid Agent 007 is one of surprising real-life drama. In The Music of James Bond, author Jon Burlingame throws open studio and courtroom doors alike to reveal the full and extraordinary history of the sounds of James Bond.

  • Recording, musical


  • Authors: John Colapinto (2021)

  • A New York Times bestselling writer explores what our unique sonic signature reveals about our species, our culture, and each one of us. Finally, a vital topic that has never had its own book gets its due

  • Recording, musical


  • Authors: Maurice Hinson (1983)

  • In an alphabetic listing by composer, this guide describes works for two or more keyboard instruments composed mainly since 1700. The range of combinations is considerable: works for two, three, four, or more pianos; for two or more pianos with other instruments, voice, or tape; for piano and harpsichord; for two player pianos; and for two pianos tuned a quarter-tone apart. There are compositions to be performed on two pianos by one, two, three, and four players, as well as one work for two players, two left hands.

  • Recording, musical


  • Authors: Francesco Pelosi. (2010)

  • This book adopts an innovative approach towards analysing the soul-body problem by uncovering and emphasising the philosophical value of Plato's treatment of the phenomenon of music. By investigating in detail how Plato conceives of the musical experience and its influence on intelligence, passions and perceptions, it illuminates the intersection of cognitive and emotional functions in Plato's philosophy of mind.

  • Recording, musical


  • Authors: William Duckworth (2010)

  • The text, A Creative Approach to Music Fundamentals, includes written work and listening examples to improve your musical skills, as well as periodic comprehensive quizzes to help measure your progress. In addition, an interactive website contains thousands of Focus on Fundamentals prac-tice materials, as well as sound files of musical examples in the text.

  • Recording, musical


  • Authors: Jonathan Harnum (2001)

  • Each chapter and section includes a comprehensive, cross-referenced review, specially designed for optimal memorization. In addition, practical use exercises reinforce what is learned. Book contains a large glossary, index, blank staff paper, and a piano keyboard which doubles as a bookmark and is used with the reviews.

  • Recording, musical


  • Authors: Werner, Bradford (2019)

  • This book teaches classical and fingerstyle guitar skills with a focus on the rich pedagogical tradition of classical guitar. Most learning objectives are covered through pieces and duets allowing students to perform full pieces from the first lesson. Students enjoy a wide variety of solos, duets, technique exercises and tips, and chord songs all in book.

  • Recording, musical


  • Authors: Phil Mulford (1997)

  • Play authentic heavy metal bass lines. Learn five great songs by Guns N' Roses, AC/DC, Metallica, and more. CD matches the book with audio tracks both with and without bass lines.

  • Recording, musical


  • Authors: Mark Levine (1989)

  • This book presents all the information a student of jazz piano needs in an easy-to-understand, yet thorough, manner. For intermediate to advanced pianists, written by one of the acknowledged masters of jazz piano playing